Mira Rojanasakul
Artists Statement
During the last two hundred years the blackbird has abandoned the woods to become a city bird. First in Great Britain at the end of the eighteenth century, then several decades later in Paris and the Ruhr Valley. Throughout the nineteenth century it conquered the cities of Europe one after the other.
From the planet’s viewpoint, the blackbird’s invasion of the human world is certainly more important than the Spanish invasion of South America or the return to Palestine of the Jews. A shift in the relationship among the various kinds of creation (fish, birds, humans, plants) is a shift of a higher order than changes in relations among various groups of the same kind. Whether Romanians or Russians conquer Bessarabia, is more or less the same to the earth. But when the blackbird betrayed nature to follow humans into their artificial, unnatural world, something changed in the organic structure of the planet.
And yet no one dares to interpret the last two centuries as the history of the invasion of man’s cities by the blackbird. All of us are prisoners of a rigid conception of what is important and what is not, and so we fasten our anxious gaze on the important, while from a hiding place behind our backs the unimportant wages its guerrilla war, which will end in surreptitiously changing the world and pouncing on us by surprise.
Milan Kundera, The Book of Laughter and Forgetting
Mira Rojanasakul's own web site
